‘There are three rules for writing a novel. Unfortunately, no one knows what they are.’
– Somerset Maugham
A plot is the skeleton of a story, and is therefore essential to any work of fiction. If you plan on writing a story without a plot, don’t even expect your mother to read it, yet alone the rest of the world. In this guide, we’re going to outline a bulletproof formula to plan and establish a solid plot for your story. This system was developed by James Scott Bell, author of the book Plot & Structure, and is very easy to remember – it’s called the LOCK system.
“A psychedelic experience is a journey to new realms of consciousness. The scope and content of the experience is limitless, but its characteristic features are the transcendence of verbal concepts, of spacetime dimensions, and of the ego or identity. Such experiences of enlarged consciousness can occur in a variety of ways: sensory deprivation, yoga exercises, disciplined meditation, religious or aesthetic ecstasies, or spontaneously. Most recently they have become available to anyone through the ingestion of psychedelic drugs such as LSD, psilocybin, mescaline, DMT etc. Of course, the drug does not produce the transcendent experience. It merely acts as a chemical key — it opens the mind, frees the nervous system of its ordinary patterns and structures.” – The Psychedelic Experience
This is an extension to my earlier post Psychedelic Mushrooms and You, which covered the process of finding, identifying, drying, and storing magic mushrooms found in the wild. That guide was written with the intention of making psychedelics more readily available to those seeking it with the hope that the information might open doors for those who were wanting to explore different planes of consciousness and not just get high for kicks. It also served the purpose of helping others become more capable in avoiding poisonous lookalikes, thus avoiding potential unnecessary deaths. Psychedelics can be a real game changer as far as your life is concerned; they can be fun, exciting, playful, weird, tense, frightening, expanding, contracting and everything else on the spectrum. At times taking psychedelics can be like putting your mind under under a microscope, or plugging it into an amplifier – it can and probably will confront you with yourself, and this can either enlighten or frighten the shit out of you depending on your level of preparation. It is for this reason that it is important to treat psychedelics with a great deal of respect, and one way of doing this is to mentally prepare yourself for the experience before you have it.
Note: a lot of the photos in this post were taken on an amazing mushroom trip I had in the spring of 2012, whilst road ‘tripping’ with two close friends through the great alpine road in a rented winnebago, which we affectionately named the ‘dojo’.
Page 1 – Planning a session (the page you’re reading).
Page 2 – Choosing a psychedelic that’s right for you.
Over the years I’ve acquired a decent collection of pedals, and while it was easily manageable when I only had a wah and overdrive pedal, once the rest of them rolled in I found myself tangled in cables and power adaptors. I knew I needed a pedalboard but I also knew if I could afford one, I’d use that money to buy a new pedal instead.
Fast forward a few weeks and I happened upon a post at the harmony central forums about a guy who constructed a pedal board using a $10 shelf unit from IKEA. The shelf in question is called a GORM (who the fuck names these things?) and this cheap DIY pedalboard has inspired literally hundreds of people to create their own.
the original GORM pedalboard
I will now share with you my own DIY odyssey with the Gorm pedalboard, and I hope it inspires you to do the same.
DISCLAIMER – This guide is in no way meant to advocate the use of illegal drugs; it exists solely to spread an important pocket of knowledge that might have the potential to save lives, or at the very least, trips to the hospital. There is currently too high a risk for the uninformed novice to mistake a poisonous mushroom for a psychoactive one, and so it is our hope that this article helps illuminate the otherwise dark and mysterious pursuit of magic mushroom identification.
DISCLAIMER #2 – PRISM do not have magic mushrooms (or any other illegal substances) in their possession. We destroy all evidence of this rewarding (but sadly illegal) hobby by means of digestion. Every year in Victoria, Australia, between the cold months of April to August, magic happens. This magic reveals itself in the form of psychoactive mushrooms. They grow wildly in parks, playgrounds, creeks, forests, nature strips and garden beds They thrive pretty much anywhere with wood chips, tanbark, or mulch that gets a lot of rain and shade. Of course, there are lots of poisonous doppelgängers out there, so it pays to have a bit of experience in identifying the right ones. This ‘experience’ is something we have acquired over the past five or six years of picking and eating magic mushrooms, and so this guide is written with the hope of sharing that knowledge with others. Why buy a man a fish when you can give him a fishing rod, right? This exclusive PRISM feature will attempt to explain how to find magic mushrooms on your own (or with friends), and outline some good methods of drying and storing them.
Page 1 – How to identify Psilocybe subaeruginosa mushrooms (this page).
The most fundamental aspect to Journalism, and a skill that is drilled into students of the field before anything else is language analysis. Why? (you may ask). Simple: because journalists are required to write persuasively in order to subtly sway the reader into thinking or believing x instead of y. Before they can develop the ability to write in this manner, however, they must first learn how to analyse writing and track down it’s use of subliminal language persuasion. Below you will find the tools that they use – persuasive language techniques and their application in the world of journalism. Comb through this list and see if you can find the following persuasive techniques being used in today’s paper.
By Michael Cunningham Extract analysis is when you take an extract from a film, book or a play, and you analyse the the selected text and put it into context. Extract analyses are a great way to to hone your writing skills and your ability to flesh out ideas and themes. The best way to describe the process of extract analysis would be to compare it to the peeling of an onion. At first you describe what you see, which is the outer layer of the onion: this involves examining the language, use of repetition and colors for example. You then gradually peel off layers of the onion, discussing the symbolism perhaps. Finally you get to the core of the extract, and this is when you start to branch your ideas of the extract into a broader perspective, linking the extract back the entire text and its social connotations are key at this stage. Finally, you wrap it up. A good structure of the stages of extract analysis are as follows: