A Collection of Zen Stories

zen enlightenment

“We gain enlightenment like the moon reflecting in the water. The moon does not get wet, nor is the water broken. Although its light is wide and great, the moon is reflected even in a puddle an inch wide. The whole moon and the whole sky are reflected in a drop of dew in the grass.”
– Dōgen Zenji

Man and His Horse

There is a story in zen circles about a man and a horse. The horse is galloping quickly, and it appears that the man on the horse is going somewhere important. Another man, standing alongside the road, shouts, “Where are you going?” and the first man replies, “I don’t know! Ask the horse!”

A Beautiful Goose

A Zen monk saw a beautiful goose fly by and he wanted to share this joy with his elder brother who was walking beside him. But at that moment, the other monk had bent down to remove a pebble from his sandle. By the time he looked up, the goose had already flown by. He asked, “What did you want me to see?” but the younger monk could only remain silent.

Zen Tea

Nan-in, a Japanese master during the Meiji era (1868-1912), received a university professor who came to inquire about Zen. Nan-in served tea. He poured his visitor’s cup full, and then kept on pouring. The professor watched the overflow until he no longer could restrain himself. “It is overfull. No more will go in!”
“Like this cup,” Nan-in said, “you are full of your own opinions and speculations. How can I show you Zen unless you first empty your cup?”

Zen Dialogue

Zen teachers train their young pupils to express themselves. Two Zen temples each had a child protégé. One child, going to obtain vegetables each morning, would meet the other on the way.
“Where are you going?” asked the one.
“I am going wherever my feet go,” the other responded.
This reply puzzled the first child who went to his teacher for help. “Tomorrow morning,” the teacher told him, “when you meet that little fellow, ask him the same question. He will give you the same answer, and then you ask him: ‘Suppose you have no feet, then where are you going?’ That will fix him.”
The children met again the following morning.
“Where are you going?” asked the first child.
“I am going wherever the wind blows,” answered the other. This again nonplussed the youngster, who took his defeat to his teacher.
“Ask him where he is going if there is no wind,” suggested the teacher.
The next day the children met a third time.
“Where are you going?” asked the first child.
“I am going to the market to buy vegetables,” the other replied.

Continue reading

Zen Story: The Ghost and the Beans

japanese womanA young wife fell sick and was about to die. “I love you so much,” she told her husband, “I do not want to leave you. Do not go from me to any other woman. If you do, I will return as a ghost and cause you endless trouble.” Soon the wife passed away. The husband respected her last wish for the first three months, but then he met another woman and fell in love with her. They became engaged to be married. Immediately after the engagement a ghost appeared every night to the man, blaming him for not keeping his promise. The ghost was clever too. She told him exactly what has transpired between himself and his new sweetheart. Whenever he gave his fiancee a present, the ghost would describe it in detail. She would even repeat conversations, and it so annoyed the man that he could not sleep.

Someone advised him to take his problem to a Zen master who lived close to the village. At length, in despair, the poor man went to him for help. “Your former wife became a ghost and knows everything you do,” commented the master. “Whatever you do or say, whatever you give you beloved, she knows. She must be a very wise ghost. Really you should admire such a ghost. The next time she appears, bargain with her. Tell her that she knows so much you can hide nothing from her, and that if she will answer you one question, you promise to break your engagement and remain single.”
“What is the question I must ask her?” inquired the man.
The master replied: “Take a large handful of soy beans and ask her exactly how many beans you hold in your hand. If she cannot tell you, you will know she is only a figment of your imagination and will trouble you no longer.” The next night, when the ghost appeared the man flattered her and told her that she knew everything. “Indeed,” replied the ghost, “and I know you went to see that Zen master today.”
“And since you know so much,” demanded the man, “tell me how many beans I hold in this hand!” There was no longer any ghost to answer the question.

Zen Story: The Stingy Artist

zenGessen was an artist monk. Before he would start a drawing or painting he always insisted upon being paid in advance, and his fees were high. He was known as the “Stingy Artist.” A geisha once gave him a commission for a painting. “How much can you pay?” inquired Gessen. “‘Whatever you charge,” replied the girl, “but I want you to do the work in front of me.”
So on a certain day Gessen was called by the geisha. She was holding a feast for her patron. Gessen with fine brush work did the paining. When it was completed he asked the highest sum of his time. He received his pay. Then the geisha turned to her patron saying: “All this artist wants is money. His paintings are fine but his mind is dirty; money has caused it to become muddy. Drawn by such a filthy mind, his work is not fit to exhibit. It is just about good enough for one of my petticoats.” Removing her skirt, she then asked Gessen to do another picture on the back of her petticoat. “How much will you pay?” asked Gessen.
“Oh, any amount,” answered the girl. Gessen named a fancy price, painted the picture in the manner requested, and went away. It was learned later that Gessen had these reasons for desiring money: A ravaging famine often visited his province. The rich would not help the poor, so Gessen had a secret warehouse, unknown to anyone, which he kept filled with grain, prepared for these emergencies. From his village to the National Shrine the road was in very poor condition and many travelers suffered while traversing it. He desired to build a better road. His teacher had passed away without realizing his wish to build a temple, and Gessen wished to complete this temple for him. After Gessen had accomplished his three wishes he threw away his brushes and artist’s materials and, retiring to the mountains, never painted again.

Zen Story: The Taste of Banzo’s Sword

zen sword fightMatajuro Yagyu was the son of a famous swordsman. His father, believing that his son’s work was too mediocre to anticipate mastership, disowned him. So Matajuro went to Mount Futara and there found the famous swordsman Banzo. But Banzo confirmed the father’s judgment. “You wish to learn swordsmanship under my guidance?” asked Banzo. “You cannot fulfill the requirements.”
“But if I work hard, how many years will it take to become a master?” persisted the youth.
“The rest of your life,” replied Banzo.
“I cannot wait that long,” explained Matajuro. “I am willing to pass through any hardship if only you will teach me. If I become your devoted servant, how long might it be?”
“Oh, maybe ten years,” Banzo relented.
“My father is getting old, and soon I must take care of him,” continued Matajuro. “If I work far more intensively, how long would it take me?”
“Oh, maybe thirty years,” said Banzo.
“Why is that?” asked Matajuro. “First you say ten and now thirty years. I will undergo any hardship to master this art in the shortest time!”
“Well,” said Banzo, “in that case you will have to remain with me for seventy years. A man in such a hurry as you are to get results seldom learns quickly.”
“Very well,” declared the youth, understanding at last that he was being rebuked for impatience, “I agree.”

Matajuro was told never to speak of fencing and never to touch a sword. He cooked for his master, washed the dishes, made his bed, cleaned the yard, cared for the garden, all without a word of swordsmanship. Three years passed. Still Matajuro labored on. Thinking of his future, he was sad. He had not even begun to learn the art to which he had devoted his life. But one day Banzo crept up behind him and gave him a terrific blow with a wooden sword. The following day, when Matajuro was cooking rice, Banzo again sprang upon him unexpectedly. After that, day and night, Matajuro had to defend himself from unexpected thrusts. Not a moment passed in any day that he did not have to think of the taste of Banzo’s sword. He learned so rapidly he brought smiles to the face of his master. Matajuro became the greatest swordsman in the land.

Anapana-sati Meditation

buddha anapanasatiThe following simple meditation is drawn from the well of Theravada Buddhism, which is the oldest surviving form of Buddhism. The meditation is called Anapanasati: Anapana means inhalation/exhalation, while sati means mindfulness, and so the meditation is no more than mindfulness of the breath. Seeing as we all share the breath in common it is a meditation that can be performed by anyone, at anytime, and anywhere. You don’t need to go to the shop to buy anything and you don’t need to find a teacher, you are the only instrument you need. The Buddha promised his devotees that mindfulness of the breath, “developed and repeatedly practiced, is of great fruit, great benefit.” Anapanasati is the meditation that Buddha practiced as he sat underneath the Bodhi tree and realised his own enlightenment, and so it is the method that he stressed the most to his followers, and is the core meditation practice in Theravada Buddhism.

The Buddha’s teachings of this meditation can be found in the Mahasatipatthana Sutta (The Greater Discourse on Foundations of Mindfulness). In it he says: “A monk, having gone to the forest, to the foot of a tree, or to an empty hut, sits down. Having folded his legs cross-wise, straightened his body, and set up mindfulness in front of him, at the tip of his nose, just mindful he breathes in, mindful he breathes out. Breathing in long, he knows: ‘I breathe in long’; or breathing out long, he knows: ‘I breathe out long.’ Breathing in short, he knows: ‘I breathe in short’; or breathing out short, he knows: ‘I breathe out short.’; thus he trains himself.”

Continue reading