This is easily the second best live jazz album ever created, second only to Smokin’ at the Half Note which was recorded three years later than this one. Both these albums share four things in common.
- Wes Montgomery - Wes is on fire here, showing absolute mastery over his instrument. Rarely do you get to hear someone’s soul vibrate within an instrument like you do here. Wes’ playing is extremely technical, but sweet and simple at the same time. Effortless mastery.
- Miles Davis’ Rythm Section - Paul Chambers on bass and Jimmy Cobb on drums = one tight rhythm section. The rhythm section of a band is like the plot of a novel; it needs to be tight as it holds everything together. These guys have laid the foundation for a lot of Miles Davis’ magic, so you as a listener are in safe ears with these guys – they know a thing or two about jazz.
- Wynton Kelly - This guy also rolled with Miles Davis, and he is a fantastic pianist. His piano lines are melodic and thoughtful, they complement Wes Montgomery’s playing style perfectly. When it comes to the improvisations Wynton and Wes have each others backs. When Wyton wants to solo Wes will cool off and start comping (jazz term for playing chords!), and when Wynton is out of steam he’ll do the same for Wes – beautiful jazz is the result.
- It’s Live, Yo! - This is what makes this and ‘Smokin’ at the Half Note’ so special, the live jazz atmosphere that epitomises what the genre of music is all about – completely spontaneous human expression through vibrant musical conversation. No punches are held back here, it’s all out from the word GO. No musician lags behind for a breather, they all fish the seas of creativity and haul a monster for us to feast our ears on.
This album gets 5/5 stars without saying, I’ve actually never given an album a star rating in any of my reviews. But no album has really moved me like this one has, and therefore it is the one of the only albums that deserved a place amongst the stars. Download it! OR Buy the album!
